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Sequentiary (Prosar) for Dominican Use, 1480 - 1520

 Item
Identifier: MS 54

Abstract

Sisters of the kings of France, the author Christine de Pizan, and Balzac’s droll fictitious heroines – these are among the residents of the prestigious royal foundation of the Dominican nuns at Poissy. Every manuscript that becomes known from Poissy is worthy of special note not just because of the fame of the abbey but also because of the contribution of its women to late medieval liturgical music. Whereas Processionals survive in increasingly large numbers from Poissy, Sequentiaries, such as this one containing the sequences of the Mass, are relatively rare; only six other examples have so far been identified from Poissy.

Table of contnets: Noted sequences for the Temporale beginning with Advent, including Trinity Sunday and Corpus Christi, concluding with the Dedication of a Church; Noted sequences for the Sanctorale; Twelve Sequences for feasts of the Virgin Mary; De beata elysabeth; Noted sequence for St. Ursula; Hymn for Pentecost at Vespers and Terce and prayers; Oratio ad dominum ihesum christum.

Dates

  • Creation: 1480 - 1520

Extent

1 volumes

Language of Materials

Latin

French

Custodial History

Copied in France almost certainly at Poissy in the late fifteenth or early sixteenth century; liturgical evidence allows us to date it after 1461 (includes Vincent Ferrer, canonized 1456, Catherine of Siena, 1461), and probably before 1524, since it lacks Antoninus (canonized 1524). Certainly for Dominican Use, as evidence by the numerous Dominican saints: Dominic, Peter Martyr, Thomas Aquinas, Vincent Ferrer, and Catherine of Siena. All the texts here are copied with musical notations apart from the hymn (partially noted) and prayers ff. 171-182. The liturgical contents are further evidence that this was almost certainly copied for the use of, and most likely at, the royal foundation for Dominican Nuns at Poissy. Joan Naughton (Naughton, 1995) identified six manuscripts from Poissy with Prosars, not including this manuscript (see Appendices, Part B, “Surviving manuscripts,” nos. 8, 12,25, 43, 61, 65, and Appendix 2, “Sequences included in Poissy manuscripts,” first by folio number, followed by cues and identifications). The feasts included in this manuscript, their order, and the sequences chosen all follow those in the other manuscripts described by Naughton (our manuscript lacks later feasts including www.textmanuscripts.com Antoninus, as noted above, Holy Cross, and Maurice). Note that there are two sequences for King Louis, founder of Poissy, and feminine forms are used in two of the prayers. In particular, the order and contents of Cambridge, Fitzwilliam Museum, McClean MS 63, a Poissy Processional-Sequentiary, is almost identical to the contents of the manuscript described here.

Interlinear translations into French (ff. 87-91, 94, 95v) are an interesting feature, demonstrating careful use by someone not completely comfortable in Latin; see for example on f. 87, “perficit” (acompli); f. 87v, “con nubio” (mariage), and “in morte laxatur” (elle ne cesse); also note in French in the very bottom margin, f. 94.

Early (seventeenth century?) inscription, front pastedown, “Ce liure est de [lothee] de sous prieure.”

f. 1, top margin, No 17, 176 f [?] (perhaps eighteenth century).

Owners’s and dealers’s notes, inside front cover: a nineteenth-century brief description in French; a price code in pencil; a clipping from a dealer’s catalogue in French.

Other related names

  1. Royal abbey of St.-Louis, Poissy

Immediate Source of Acquisition

Purchased for Bryn Mawr College Library from the Seymour Adelman and Howard Lehman Goodhart Funds.

Related Materials

A digitized version of this manuscript can be found online at: https://bibliophilly.library.upenn.edu/viewer.php?id=MS%2054#page/1/mode/2up

Physical Description

Some signatures visible with letter designating the quire and tally marks for the leaf.

Parchment support

Bound in a modern(?) orange rough suede binding over wooden boards cut flush with the book block (possibly original boards), spine with five slightly raised bands, edges gilt and possibly gauffered, in good condition, damage to top outer corner lower board, some wear along the bands, first and last quires reinforced with paper strips.

181+i; 173 x 114 mm bound to 180 x 125 mm.

One column of five lines of text and five four-line red staves with square musical notation (fols. 1r-171r) or one column of seventeen to nineteen lines (fols. 171v-181r), frame-ruled in lead with widely spaced horizontal rules for the text; prickings top and bottom margins, a few folios with prickings in the outer margins; written area : 105 x 60 mm (fols. 1r-171r), 105 x 65 mm (fols. 171v-181r).

Gothic-textualis script, written by several scribes.

Opening initial of each chant height of text line plus staff, generally alternating between red and blue, except for the first, a puzzle initial in red and blue (fol. 1r); one-line alternating red and blue initials within chant texts; two- and one-line alternating red and blue initials and majuscules touched in pale yellow in prayers (fols. 171v-181r); guide letters within initials; rubrication in red.

Modern foliation in pencil top outer corner recto.

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